FURNISHINGS
The furnishings in the Study are original and arranged as designed. In 1916, Reynolda’s architect, Charles Barton Keen, created drawings proposing the interior schemes and placement of furnishings. These drawings, together with a 1922 inventory and some interior photographs, tell us where things were placed in the early years of Reynolda.
An old world eclecticism balances heavy oak furniture in European styles—including Gothic-Tudor panels on the desk—with East Asian ceramics and mirrors.